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I have produced and recorded three solo albums of
ballads, tunes and stories. I have also recorded two albums with
Ceilidh Friends
and have participated in several other recordings made by Yellowknife
musicians (see some of them on
CeltArctic
Spotlight).
The Albums:
Sands of the Shore
(NEW), Lilies
Among the Bushes, One
Evening as I Rambled

One Evening As I Rambled (1991)
Buy NOW with Paypal
With partial funding from the
NWT Arts Council for this project, this CD covers as wide and varied a selection of
my repertoire as possible. The album is peppered with
unusual instruments, traditional ballads, and one traditional folk tale.
This recording is available on CD and cassette.
REVIEWS: For an online review, see:
Rambles - One
Evening as I Rambled
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“Bowed psaltery, recorder, Appalachian dulcimer, guitar, and vocals make
for a magical combination...This CD is a treat....”
Victory Review, Vol. 22, # 8, August 1997 (Review of 'One Evening as
I Rambled...') |
“She is a highly competent performer on a variety of instruments...In
particular, though, she has an enchanting, indeed haunting, voice...and
chooses songs that allows it full expression..”
Canadian Folk Music Bulletin,
Vol. 29, #1 (Review of 'One Evening as I Rambled...') |
“...riveting. Whether Cameron is playing recorder, bowed psaltery,
Appalachian dulcimer, or singing traditional songs with or without
accompaniment, this is a splendid album for those who love the
traditional repertoire....”
Northern Journey: a guide to Canadian Folk Music on CD, Gene
Wilburn, ©1995 (Review of 'One Evening as I Rambled...') |
What's on the Album...
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Song Titles: |
Details: |
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Ronde (T. Susato)/Gavotte (G.F. Handel) |
bowed psaltery, recorders |
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Outlandish Knight (Child Ballad #4) |
vocals |
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Banks of Primroses (traditional) |
vocals, dulcimer, recorder |
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Shepherd's Song (traditional) |
melody & harmony vocals |
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Morgan Megan (O Carolan) |
recorders; Steve Goff on
guitar |
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Banks of Airdrie-O (Child Ballad #14) |
vocals; Chorus:
Steve &
Dawn Lacey, Lorelei Andrews,
Laryssa Wolansky |
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Bransle de Champaigne (C. Gervaise) |
bowed psaltery, recorders |
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Johnny Be Fair (traditional) |
vocals; Steve Lacey on guitar |
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Drimindown (traditional) |
vocals |
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Reynardine (traditional) |
vocals |
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Mr. Fox (traditional folk tale) |
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Gathering Peascods (traditional) |
Appalachian dulcimer, recorders, percussion |
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To Order

Lilies
Among the Bushes (1997) Buy NOW
with Paypal
With a full hour of recorded material, this CD
is a ballad-lover's treat. Of the 16 tracks, over half of them are
Child Ballads (traditional ballads collected by Francis J. Child).
I wanted this album to be a tribute to some of my major musical
influences. This album is only available on CD, however, if you
want a cassette, please let me know.
REVIEWS: For an online review, see:
Rambles - Lilies
Among the Bushes
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“Traditional ballad singing is an extraordinarily difficult art to
master, but my goodness this girl can do it. Her voice is absolutely
lovely--high and silvery with muscle, and keeps you riveted
throughout....”
Victory Review, Vol. 23, # 6, June 1998 (Review of 'Lilies Among the
Bushes') |
“Moira’s voice is clear and has a way of getting right inside you. She
is thankfully free of the annoying...mannerisms of many modern women
singers. Moira has selected material that has special meaning for her.
These are songs of strength and endurance, often from a woman’s point of
view.”
Appleseed Quarterly, Vol. 8, # 2, 1998 (Review of 'Lilies Among the
Bushes') |
What's on the Album...
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Song Titles: |
Details: |
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Crafty Maid's Policy (traditional) |
Vocals, Appalachian dulcimer, recorders |
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Elfin Knight (Child Ballad #2) |
vocals; Chorus: Lorelei Andrews, Susan Keogh,
Ceilidh Friends |
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Martha (© Gumboots) |
vocals |
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Barbara Allen (Child Ballad #84) |
vocals, Appalachian dulcimer, recorder |
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Brown Girl (Child Ballad #73/295) |
vocals |
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Jenny Lind Polka/Halting March (traditional) |
recorder, hammered
dulcimer, percussion; Steve Lacey
on guitar |
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Jock O'Hazeldean (Child Ballad #293) |
vocals |
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Daemon Lover (Child Ballad #243) |
vocals, Appalachian dulcimer |
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Love Henry (Child Ballad #68) |
vocals, autoharp |
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Lady Diamond (Child Ballad #269) |
vocals |
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Willie of Winsbury (Child Ballad #100) |
vocals, autoharp; Chic Callas on cello |
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Well Below the Valley (Child Ballad #21) |
vocals; Chorus: Lorelei Andrews, Susan Keogh,
Ceilidh Friends |
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Grit's Tune (© G. Laskin/M.
Cameron) |
Appalachian dulcimers |
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Bold William Taylor (traditional) |
vocals |
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Tarry Trousers (traditional) |
vocals, autoharp |
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Adieu Sweet Lovely Nancy (traditional) |
vocals, Appalachian dulcimer |
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To Order
Sands on the Shore
(2007) Buy NOW with Paypal
This CD took long to complete, but I think it has been
worth it. Like "Lilies", this CD
has 60 minutes worth of ballads, many of them performed a capella. Of the 17 tracks,
there are 7
Child Ballads (traditional ballads collected by Francis J. Child), and 3
of my own compositions. This album is only available on CD,
however, if you want a cassette, please let me know.
REVIEWS:
| "Sands
of the Shore is my first experience hearing Moira Cameron,
who describes herself as a balladeer. I wouldn't dispute
that title at all and I will be looking for more of her
music in the future. The CD is pure, simple pleasure to
listen to. If you enjoy Kate Rusby, Cathie Ryan or Connie
Dover's lovely soprano, you should add this disc to your
collection. This 17-song
compilation is a mix of traditionals from Scottish, English,
American and Canadian folk classics. Her choices are not
among the most commonly covered songs -- "In the Month of
January," "I Have Four Brothers" and "Tamlin" are the only
songs I've heard often from other artists. Most of the songs
are a cappella with Cameron offering the melody with a
joining chorus. Instrumentation is simple and acoustic.
By Becky Kyle;
Rambles.net |
"This is a collection that is mostly
ballads and mainly from the British Isles from a singer of
Scots descent who now lives in the Yellowknife area of
northern Canada. The singing is fairly straightforward and
it includes much-loved favourites like 'Turpin Hero' and 'A
Week Before Easter' as well as much rarer pieces such as 'Whummil
Bore' and 'I Have Four Brothers'. What marks it out from the
ordinary is the beauty and commitment of the singing. Partly
this is unaccompanied; in other places fairly uncomplicated
dulcimer and autoharp are used. Moira understands how to
hold the listener's attention through the length of a ballad
like 'Tamlin' and gives her best performance on 'Maid on the
Shore'." By Vic Smith;
fRoots
Magazine, May 2008 Issue # 299 |
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~ This review was very
lengthy and wonderfully detailed. I will only quote brief
segments here:
"A new CD from Moira
Cameron is always a treat to look forward to...[She] has
made this recording, as she says, to 'pay honour to my
sources...' This CD is as fine a tribute as anyone could
wish for."
Regarding 'In the Month of
January': "...a haunting Scottish traditional song
performed at a very slow tempo, but it works; in fact, it's
gorgeous, and really showcases Moira's voice at her very
best - clear, soaring and controlled..."
Regarding 'Lamkin': "...a revenge ballad and one
of the hardest traditional ballads to sing owing to its
unrelenting grimness, but Moira's interpretation gloriously
succeeds, being chilling and compelling without going over
the top, and driving inexorably to its gruesome climax..."
Regarding 'Tamlyn': "...The final track...is 'Tamlyn',
another fine Child ballad...This [version] has some splendid
words; for example, when the heroine turns to ask her
bewitched seducer his name 'she nothing saw and nothing
heard and all the woods grew dim'. Later, when the Fairy
Court notice her there...'the thunder rolled across the sky
and the stars they blazed like day'. And Moira sings 'it',
not 'him', when describing the fearsome shapes and objects
Tamlyn is turned into as Margaret struggles to hold him and
the Elfin Court tries to make her let go. All these bring
out and emphasize the otherworldliness and weirdness of the
story more than other versions, and Moira keeps our
attention through it all..."
Canadian Folk Music,
Spring 2008 Vol. 42.1
Published by the
Canadian
Society for Musical Traditions
Review written by Rosaleen Gregory
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What's on the Album...
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Song Titles: |
Details: |
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M'en
Revenant de Bordeaux (French Canadian Traditional) |
a capella with chorus:
Steve Goff,
Steve Lacey,
Dawn Lacey, Marilyn
Morrison, Kate Tompkins,
Ray Bethke |
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In the
Month of January (Scottish Traditional) |
a capella |
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Kate's
Ballad (©1998 M. Cameron - SOCAN) |
a capella with chorus:
Steve Goff,
Steve Lacey,
Dawn Lacey,
Caitlin Lacey,
Marilyn Morrison, Kate Tompkins,
Ray Bethke |
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Lament of a
Miner's Wife (©2000 M. Cameron -
SOCAN) |
Appalachian dulcimer, recorders |
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Whummil
Bore (Scottish Traditional - Child # 27) |
a capella with eggs |
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Young
Benjie (Scottish Traditional - Child # 86) |
a capella |
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Down by the
Willow Garden (American Traditional) |
Autoharp |
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Wee Wee Man
(Scottish Traditional - Child # 38) |
a capella |
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Dick Turpin
and the Lawyer (Canadian Traditional) |
a capella with spoons & chorus:
Steve Goff,
Steve Lacey,
Dawn Lacey,
Caitlin Lacey,
Marilyn Morrison, Kate Tompkins,
Ray Bethke |
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Lamkin
(Scottish Traditional - Child # 93) |
a capella |
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Branwyn's
Pleasure (©1998 M. Cameron - SOCAN) |
Appalachian dulcimer with recorders |
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Still Her
Answer to me was No (English Traditional) |
a capella |
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I Have Four
Brothers (English Traditional - Child # 46) |
a capella with chorus:
Steve Goff,
Steve Lacey,
Dawn Lacey,
Caitlin Lacey,
Marilyn Morrison, Kate Tompkins,
Ray Bethke |
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A Week
Before Easter (English Traditional) |
a capella |
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Maid on the
Shore (English Traditional - Child # 43) |
a capella |
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Sands of
the Shore (Harry Staunton/Henry Penther 1911) |
recorders and guitar:
Steve Lacey; with
chorus: Dawn Lacey,
Caitlin Lacey,
Marilyn Morrison, Kate Tompkins |
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Tamlin
(English Traditional - Child # 39) |
a capella; recorded live at a concert in Athabasca, AB. |
TOP
To Order
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